Kangyue Zhang
Visual Artist
Photography
London based


Kangyue Zhang, a Chinese artist born in Japan, earned her BA in Visual Communication Design from NCUT in Beijing in 2022. She then moved to England and completed an MFA in Photography at the University for the Creative Arts in 2024.

Kangyue is influenced by Japanese aesthetics
‘ Mono-aware’ and ‘ Wabi Sabi’, she unconsciously captures the vulnerability of beauty in objects, using sound, sketch, image and text to present her perception of the material and immaterial. The lapse of time has obliterated the memories which lie hidden in the mind, but objects or places which have not changed in the course of time are invariably recalled with intense emotion.

The artworks "Another Goodbye" and “The Negative Space of Photo” become ways to respond to emotions and reflect on modern urban life as a form of recollection.












To readers:

Every object is a vessel of memory—fragments, connections, ruptures, and reconstructions. Time is not linear but a layering of intersecting moments. To flip through, to touch, to gaze, to forget. My photography is an archive of time, a way of awakening. Memories do not vanish; they hide within the folds and the play of light and shadow.
Tutors/Contributors

Anna Fox
Emmanuelle Waeckerlé

Thanks for all MFA Photography students from UCA during 2022-2024.

Contact / Social Links

Instagram: @zhangkangyue_
Email: kouka0604@outlook.com
WeChat: zhangkangyue_tsukina
Research Journal
→ Updates in progress





At the begining ,"The Negative Space of Photo" is a photo installation. I took photos of the empty photo spaces printed on the blank page of a photo album, and made postcards using the pictures taken, which were then placed on the shelf for people to take away at will. Moreover, the text on the postcard also implies invisible images and negative space of the photo.

This project was inspired by a family photo album left by my father when he moved, but all the photos in this photo album were taken away, leaving only the inside pages. I found that the yellowed inside pages of the photo album have empty spaces for placing photos (with a word Photo on it) and are marked with the E size and L size. The text "photo" but without the real photos reminds me of Rene Margaret, "This is not a pipe", who uses surrealist concepts to challenge people's understanding through similarity. I took photos of the blank space with the text "photo", which inspired me of the relationship between images and objects. At the same time, watching this image, I produced countless images about the photo in my mind.

Rachel Whiteread's work made me think about the negative space of photos. With the popularisation of photography, images exist in various forms and become no longer rare. What we see through photos is framed by photographers, and we hardly pay attention to what happened outside the frame. I want to look for the missing parts outside the image, so as to reflect the impression inside the photo rather than external appearance, thus gaining insight into the emptiness inside things by ignoring their exterior.I have therefore named this project The Negative Space of Photos.

I was also inspired by Anne Collier, who turned the image into a printed object and aged it according to the original colour of the inside pages of photo album, which looked like an old, oxidised postcard to symbolise the passage of time. Postcards are the most common objects in our daily life. The postcards, which were widely used in the 20th century, were used to carry people's emotions and memories. But in the digital age, postcards are being replaced by virtual objects online, so that people's emotions and memories have lost their carrier and become short. So I defined the product of the interweaving emotions and the fleeting history as "the negative space of photos".

Going back to the purpose of our original photography, whether it's for a souvenir or as a record, if we don't look at the photograph, we may not remember what we went through. In contrast, people could only develop photos by hand and save them as souvenirs. Now the photo is gradually losing its physical nature, replaced by electronic data. So I selected 36 photos of my father's youth, remade them with my phone, and then used the smart key function in the mobile phone software to erase the main character from the photo, deliberately streaming traces of modification, and finally leaving only the background that we often ignore. On the one hand, it alludes to the innovation of photography technology and electronic photography, and on the other hand, it is a metaphor for the youth we have passed and the memories and emotions waiting to be awakened by photographs.

I put the 36 photos I sorted out and looped them in the iPad's album and sealed the iPad in a frame of broken glass with tapes. This broken glass picture frame is also a clutter that my father left behind when he moved, and I use it as a display device to refer to my broken original family and the past that I cannot go back to. These scene spaces with vague traces are like our vague memories, and now we can only make up for the emotional spirit we seek in a simple and virtual way.

The Negative Space of Photo, 2021

postcard, 82*120mm, 89*130mm


The Negative Space of Photo, 2021

Installation, postcard display stand,

postcards,150*33*33 cm




36 re-film photos, digital, 2021